New Music: The Bird and the Bee, “Ray Guns”
Friday, January 30th, 2009The full title of The Bird and the Bee’s new album is too long to fit in the title – “Ray Guns Are Not Just The Future.” It’s a bit awkward, but the album is great, nonetheless.
Fans of their eponymous debut from 2007 will not be disappointed by the new album. Inara George’s vocals remain poppy, clean, and oh-so-pleasant. I find her voice, especially with carefully layered harmonies, to be a pop gem unmatched by most other vocalists today. And the production/instrumentals from Greg Kurstin remain catchy and fun. More importantly, they seldom overreach the mostly quiet vocals, but fill out the sound for complete wall of pop deliciousness.
Interesting to note, this album seems to steer away from its Imogen Heap style production and move into more Lily Allen cheekiness and Feist intimacy. On tracks like “Lifespan of a Fly,” George seems to coo her vocals much like Emiliana Torrini or some of the quieter tracks of Feist’s. Tracks like “Love Letter to Japan” seem a mix of Gwen Stefani and Utada Hikaru. “What’s In The Middle” could very easily be a Lily Allen track (it should be no surprise that Kurstin has also produced for Allen).
The album is longer than their debut, but no song feels like filler. Still, it lacks the tautness of the debut, even as it feels more relevant in its reduced styling. Overall, with less focus on heavily processed and produced vocals, we get a greater sense of George’s vocal skills. And it also makes better use of the group’s love of jazz. After all, when George and Kurstin first got together, they played jazz standards, and the group is signed with Blue Note.
Whether you’ve heard their first album or not, this is a solid follow-up and hopefully a sign that 2009′s music will be great. Franz Ferdinand’s new album (which also came out on Tuesday) is also great. I’ll review that later.